Many people find no beauty and pleasure in maths - but, as Lewis Dartnell explains, our brains have evolved to take pleasure in rhythm, structure and pattern. Since these topics are fundamentally mathematical, it should be no surprise that mathematical methods can illuminate our aesthetic sense.
A question which has been vexing astronomers for a long time is whether the forces of attraction between stars and galaxies will eventually result in the universe collapsing back into a single point, or whether it will expand forever with the distances between stars and galaxies growing ever larger. Toby O'Neil describes how the mathematical theory of dimension gives us a way of
approaching the question.
Can you imagine objects that you can't measure? Not ones that don't exist, but real things that have no length or area or volume? It might sound weird, but they're out there. Andrew Davies gives us an introduction to Measure Theory.
In the late 1940s, American painter Jackson Pollock dripped paint from a can on to vast canvases rolled out across the floor of his barn. Richard P. Taylor explains that Pollock's patterns are really fractals - the fingerprint of Nature.
Combining the computational powers of modern digital computers with the complex beauty of mathematical fractals has produced some entrancing artwork during the past two decades. Intriguingly, recent research at the University of New South Wales, Australia, has suggested that some works by the American artist Jackson Pollock also reflect a fractal structure.
Almost everyone reading this article has no doubt encountered pictures from the Mandelbrot Set. Their appeal is not limited to the mathematician, and their breathtaking beauty has found its way onto posters, T-shirts and computers everywhere. Yet what is a fractal?