Tim Johnson was drawn into financial maths, not through an interest in finance, but because he was interested in making good decisions in the face of uncertainty. Tim explores the development of this interface between abstract mathematics and our everyday lives, and explains why a painting may only be worth its wall space.
With online socialising and alternative realities like Second Life it may seem as if reality has become a whole lot bigger over the last few years. In one branch of theoretical physics, though, things seem to be going the other way. String theorists have been developing the idea that the space and time we inhabit, including ourselves, might be nothing more than an illusion, a hologram conjured up by a reality which lacks a crucial feature of the world as we perceive it: the third dimension. Plus talks to Juan Maldacena to find out more.
It's hard to avoid CERN these days. Last year's successful switch-on of CERN's Large Hadron Collider, followed by a blow-out which is currently being fixed, sparked wide-spread media coverage, and currently CERN stars in the Tom Hanks movie Angels and Demons. So what goes on at CERN and why the hubbub about the Large Hadron Collider, known as the LHC? Ben Allanach investigates.
Are the unchanging features of the Universe really unchanging?
Describing the motion of fluids is a huge and unsolved mathematical problem. There are equations that seem to describe it well, but their complete solution is way beyond reach. But could there be a simpler method? The physicist Jerry Gollub tells Plus about a new discovery which combines experiment with sophisticated maths.
In 1979 decorating work in a house in Vienna revealed a set of medieval frescoes depicting a cycle of songs by a 13th century poet, who was particularly fond of satirising the erotic relationships between knights and peasant maidens. The frescoes are of great historical significance, but they are badly damaged. In this article Carola Schönlieb explores how mathematicians use the heat equation to fill in the gaps.