The chorus of people singing happy birthday to Maths Inspiration today could be deafening, particularly if the 100,000 teenagers who have been lucky enough to go along to these shows over the last 10 years join in!
Maths Inspiration, set up by Plus's good friend Rob Eastaway, is a fantastic project that runs interactive maths shows all over the UK. The shows are for 14-17 year olds and demonstrate how maths is useful beyond school. And they do more than that, they make maths cool! The shows are held in some of the most prestigious theatres in the country, including The Palace Theatre in London, The Crucible in Sheffield and The Bristol Hippodrome, and feature comedians, teachers, musicians, space scientists, stadium designers, medical professionals, and fitness instructors, who all also happen to be mathematicians. Each show features several talks on topics ranging from roller coasters to the maths used to convict criminals and is very interactive. Students are invited on stage to participate in demonstrations throughout the show.
And if you haven't had a chance to see one of their shows yet, you can still join the party. Their Autumn shows feature Rob Eastaway explaining what the competition between Coke and Pepsi can tell us about world peace, Hannah Fry examining how human connections can cause everything from the movement of crowds, to fashion, and can even help catch the odd burglar, and Ben Sparks will show why emotion, art and mathematics go hand in hand. You can book now at the Maths Inspiration website. And if you're not able to attend a show, you can still catch some of their shows on DVD.
From the Plus team and the 100,000 other lucky people to have seen your shows, Happy tenth birthday Maths Inspiration!
Officially the space is named the Queen Elizabeth II Great Court. Designed by Foster and Partners it transformed the Museum's inner courtyard into the largest covered public square in Europe. The courtyard was originally meant to be a garden, but in 1852–7 the Reading Room and a number of book stacks were built in it to house the library department of the Museum and the space was lost. Then, in 1997, the department moved to the new British Library building and there was an opportunity to re-open the space to the public. A competition was launched and won by Lord Foster, whose design is loosely based on the concept for the roof of the Reichstag in Berlin, Germany. The canopy of the roof was constructed out of 3,312 panes of glass, no two of which are the same.
If you had a sloppy maths teacher at school you might have grown up with the idea that the number is equal to Now that is completely wrong. Writing those numbers out in decimal gives while . There’s a difference in the third decimal place after the decimal point!
How accurately do we need to know the value of π?
Surely this small inaccuracy doesn't matter? Well, as the following extract from a longer article by Chris Budd shows, it really does.
The point is that is not any number. It lies at the heart of any technology that involves rotation or waves, and that is much of mechanical and electrical engineering. If rotating parts in, say, a typical jet engine are not manufactured to high tolerance, then the parts simply won’t rotate. This typically involves measurements correct to one part in 10,000 and, as these measurements involve , we require a value of to at least this order of accuracy to prevent errors. In medical imaging using CAT or MRI scanners, the scanning devices move on a ring which has to be manufactured to a tolerance of one part in 1,000,000, requiring an even more precise value of .
However, even this level of accuracy pales into insignificance when we look at modern electrical devices. In high frequency electronics, with frequencies in the order of 1GHz (typical for mobile phones or GPS applications), electrical engineers require a precision in the value used for in the order of one part in 1,000,000,000,000,000.
So, the modern world needs and it needs it accurately!
The Klein bottle is a very strange shape, discovered in 1882 by the mathematician Felix Klein. It intersects itself, only has one side (as opposed to an inside and an outside) and you can turn a pattern drawn on the bottle into its mirror image simply by sliding it along. You can find out more here. This picture of the Klein bottle was created by Charles Trevelyan and rendered partially transparent so that we can see the inside.
We have just learnt a really nice fact about the game of tic-tac-toe. As you may know, tic-tac-toe always results in a draw if both players make the best moves possible at every step of the game. To force a draw you need to follow a particular strategy, which isn't too hard, but tedious to write down (see here).
But now imagine you play tic-tac-toe the other way around, so that the first person to get three in a row loses the game. Again the game will end in a draw if both players play optimally. But this time the strategy for the first player is really easy: at your first move, choose the central square, and after that simply mirror your opponent's moves. By "mirror" we mean that you choose the square that is diametrically opposite the last square the opponent chose: if the opponent chose the top right corner, you choose the bottom left one, if they chose the middle top one, you choose the middle bottom one, and so on.
The same works in a version of tic-tac-toe that has, not 3x3, but nxn squares, where n is an odd number (if n is even there is no central square). Again we play the version in which the player who first gets n in a row loses. If the first player adopts the strategy above, they will never lose.
It's not too difficult to see why this strategy works. Let's call the player who goes first A and the other one B. After A takes the central square at the first move, B goes next and A mirrors B from then on. This means that whatever configuration of squares A has taken, B has taken the mirror image of the same configuration first. In particular, if A was forced to take n squares in a row, then B must have taken n squares in a row at the previous move, so B would have lost before A even got to make the supposed losing move. Nice!
About this article
This article was inspired by content on our sister site Wild Maths, which encourages students to explore maths beyond the classroom and designed to nurture mathematical creativity. The site is aimed at 7 to 16 year-olds, but open to all. It provides games, investigations, stories and spaces to explore, where discoveries are to be made. Some have starting points, some a big question and others offer you a free space to investigate.