The Fibonacci sequence – 0, 1, 1, 2, 3, 5, 8, 13, ... – is one of the most famous pieces of mathematics. We see how these numbers appear in multiplying rabbits and bees, in the turns of sea shells and sunflower seeds, and how it all stemmed from a simple example in one of the most important books in Western mathematics.
Dan Brown in his book, The Da Vinci Code, talks about the "divine proportion" as having a "fundamental role in nature". Brown's ideas are not completely without foundation, as the proportion crops up in the mathematics used to describe the formation of natural structures like snail's shells and plants, and even in Alan Turing's work on animal coats. But Dan Brown does not talk about mathematics, he talks about a number. What is so special about this number?
Marcus du Sautoy begins a two part exploration of the greatest unsolved problem of mathematics: The Riemann Hypothesis. In the first part, we find out how the German mathematician Gauss, aged only 15, discovered the dice that Nature used to chose the primes.
It was Euclid who first defined the Golden Ratio, and ever since people have been fascinated by its extraordinary properties. Find out if beauty is in the eye of the beholder, and how the Golden Ratio crosses from mathematics to the arts.
During World Mathematical Year 2000 a sequence of posters were displayed month by month in the trains of the London Underground aiming to stimulate, fascinate - even infuriate passengers! Keith Moffatt tells us about three of the posters from the series.
Kevin Jones investigates the links between music and mathematics, throwing in limericks, Fibonacci and Scott Joplin along the way. Plus is proud to present an extended version of his winning entry for the THES/OUP 1999 Science Writing Prize.
Eugen Jost is a Swiss artist whose work is strongly influenced by mathematics. He sent us this Postcard from Italy, telling us about his work and the important roles that nature and numbers play in it.