In the late 1940s, American painter Jackson Pollock dripped paint from a can on to vast canvases rolled out across the floor of his barn. Richard P. Taylor explains that Pollock's patterns are really fractals - the fingerprint of Nature.

Combining the computational powers of modern digital computers with the complex beauty of mathematical fractals has produced some entrancing artwork during the past two decades. Intriguingly, recent research at the University of New South Wales, Australia, has suggested that some works by the American artist Jackson Pollock also reflect a fractal structure.

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