Ballet and mathematics - not a combination that you often come across, but one that works beautifully in Frederick Ashton's 1948 ballet, Scénes de ballet. From the geometric patterns on the men's tunics and the perpendicular angle of the ballerina's tutu, to the movements and positioning of the dancers themselves, this ballet is a celebration of mathematics. Ashton was inspired by mathematics, and, according to the programme notes, used a system of Euclidean geometry to choreograph the piece.
Despite its title, Carl Djerassi's latest play, Calculus, is more like a lesson in history or even psychology than one in mathematics. This is because Djerassi's intention was to explore the moral calculus that was involved in the discovery of the mathematical technique, rather than the technique itself.
Anyone who thought geometry was boring or dry should prepare to be amazed. Despite its worthy cover this book is exactly what its title says - a story - and the plot of this story involves life, death and revolutions of understanding and belief, and stars the some of the most famous names in history.