Fractals are a treat for your eyes, but what about your ears? Dmitry Kormann, a composer/keyboardist from São Paulo, Brazil, explains how he integrates fractal-like patterns in the very structure of his music, to obtain beautiful results.
As an electronic musician Oli Freke has always been fascinated by sine waves, so much so that he's created a song based on them for the Geekpop festival, which is currently taking place on the Web. In this article he explores his song, touching on ancient Greek mythology, strange piano tunings and Johann Sebastian Bach.
Computer-generated art is on the rise, and with it comes a further blurring of the boundaries between maths and art. Lewis Dartnell looks at some stunning examples.
What does a mathematician from the 3rd century BC have to do with tuning musical instruments in 17th century Europe? Benjamin Wardhaugh tells us about one of the more unusual places you might find Euclid's algorithm being used.
Teaching a machine to understand music is an incredibly difficult task, which uses all the mathematical power of digital signal processing. But teaching a machine to compose music is quite another matter, and the wonderful world of mathematical patterns proves to be a gold mine. Nick Collins talks to Plus about his artificial musician.
According to Shakespeare, music is the food of love. But Jeffrey Rosenthal follows Galileo's observation that the entire universe is written in the language of mathematics - and that includes music.
As anyone starting out knows, the violin is a difficult instrument. It takes time before the novice player can expect to produce a musical note at the desired pitch, instead of a whistle, screech or graunch. Jim Woodhouse and Paul Galluzzo explain why.