This article is based on a talk I gave at the recent John Cage exhibition in the Kettles Yard gallery in Cambridge. Cage is perhaps best known for his avant-garde music, particularly his silent 1952 composition 4′33″ but also for his use of randomness in aleatory music. But Cage also used randomness in his art.
England's performance in the World Cup last summer was thankfully overshadowed by the attention given to Paul the octopus, who was reported as making an unbroken series of correct predictions of match winners. David Spiegelhalter looks at Paul's performance in an attempt to answer the question that (briefly) gripped the world: was Paul psychic?
