This article is based on a talk I gave at the recent John Cage exhibition in the Kettles Yard gallery in Cambridge. Cage is perhaps best known for his avant-garde music, particularly his silent 1952 composition 4′33″ but also for his use of randomness in aleatory music. But Cage also used randomness in his art.
David Spiegelhalter explains that waiting for an infinite number of monkeys to produce the complete works of Shakespeare is not just a probabilistic certainty, it also gives us an insight into how long we can expect to wait for a rare event to happen.
There are many different types of lottery around the world, but they all share a common aim: to make money. John Haigh explains why lotteries are the way they are.
In the early days of the UK National Lottery, it was quite common to see newspaper articles that looked back on what numbers had recently been drawn, and attempted to identify certain numbers as "due" or "hot". Few such articles appear now, and John Haigh thinks that perhaps the publicity surrounding the lottery has enhanced the nation's numeracy.
