Dan Brown in his book, The Da Vinci Code, talks about the "divine proportion" as having a "fundamental role in nature". Brown's ideas are not completely without foundation, as the proportion crops up in the mathematics used to describe the formation of natural structures like snail's shells and plants, and even in Alan Turing's work on animal coats. But Dan Brown does not talk about mathematics, he talks about a number. What is so special about this number?

How does a computer understand the colours to be displayed on the monitor's screen? It's all about red, green and blue and numbers written in a special way.

Heather MacKinlay's work as an engineer has taken her from the civility of Surrey to the wild west of Australian mining towns and multibillion pound projects in the Algerian desert. And along the way she has also become a successful painter. Heather tells Plus that engineering and painting are just different ways of looking at the world, and how her work as a cost engineer is all about understanding the big picture.

Fractals are a treat for your eyes, but what about your ears? Dmitry Kormann, a composer/keyboardist from São Paulo, Brazil, explains how he integrates fractal-like patterns in the very structure of his music, to obtain beautiful results.

An unconventional perspective on an art show

In 1979 decorating work in a house in Vienna revealed a set of medieval frescoes depicting a cycle of songs by a 13th century poet, who was particularly fond of satirising the erotic relationships between knights and peasant maidens. The frescoes are of great historical significance, but they are badly damaged. In this article Carola Schönlieb explores how mathematicians use the heat equation to fill in the gaps.

Victoria Gould has always known she would be an actor, and went straight from studying arts at school to running her own theatre company. But she eventually had to come clean about her guilty secret - she loves maths - and has since managed to combine a career as a research mathematician and teacher with a successful acting career on television and in theatre. She tells Plus why she needs to use both sides of her brain.

Mathematics takes to the stage with A disappearing number, a work by Complicite, inspired by the mathematical collaboration of Hardy and Ramanujan. Rachel Thomas went to see the play, and explains some of the maths. You can also read her interview with Victoria Gould about how the show was created.

Peter Markowich is a mathematician who likes to take pictures. At first his two interests seemed completely separate to him, but then he realised that behind every picture there is a mathematical story to tell. Plus went to see him to find out more, and ended up with a pictorial introduction to partial differential equations.

Computer-generated art is on the rise, and with it comes a further blurring of the boundaries between maths and art. Lewis Dartnell looks at some stunning examples.

Exhibition design is not a career that the mathematically inclined tend to think about, let alone pursue. Barry Phipps is the first interdisciplinary fellow with the Kettle's Yard gallery in Cambridge. His remit is to develop projects of an interdisciplinary nature — "to find the common ground between things." Whilst most people think that art and science are two completely separate non-overlapping areas of human endeavour, Phipps does not see it this way.